​​BACKGROUND AND INFLUENCES

Before becoming visual artist and author, Severine C. Camus learned the culture of excellence by evolving in the world of wine, on communication positions, human ressources management and international trade.

• Training: : Self-taught, which shaped her hybrid vision between visual creation and narrative, her work ranges from painting to drawing, creation of scenic universes, writing. She refuses uniformity, and claims imperfection as a witness to our humanity. 

• Influences: Her work is marked by various influences, ranging from Fauvism to contemporary art, including scientific literature, as well as ecological and societal issues.
• Style: Her style is characterized by a poetic and symbolic aesthetic, tinged with expressive colors and overlayed forms and subjects, often giving her artworks a maximalist look.

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E​XPRESSION DOMAINS
. Painting & drawing: She develops pictorial series where shapes and colors dialogue with visual narratives, inspired by places and fragments of life, bodies, or images from her unconscious.

. Experimental photography: Her photos are experimental, associating the staging of objects with creation, and practicing what she calls a "dissociative photography". 
. Scenography: She creates spaces in small universes ("The Kube"), for exhibitions or performances, to give different variations to the same theme depending on where the body is engaged.
. Writing: Her texts, whether poetic, narrative or theoretical, can accompany her visual projects. She publishes books and poems, which extend her artistic reflection.
. Interior stylism: She also works in the circulation in spaces, with an approach where the overall expression blends with an intuitive dimension.

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In an era of image saturation and speed, Severine C. Camus evolves far from the noise, in a slow process. Where the stages stretch, matter is formed, and experimentation forges the path.

She questions identity, whether cultural or corporeal, and a form of modern ecology, where Humans must live in balance with their ecosystems. This is her vision of art, when the work repositions itself in a larger whole, and is put at the service "of": a place, a wall, a room, a universe, a project, an object, ... Life.