The path is longer when it is undertaken late. One must deconstruct, undo, let go, to return to the source. And there, experiment, seek, dare, discover oneself.

Three great universes impose themselves in the life of Camus: the painting, the scenic creation, the writing. The several declensions are the arborescent witnesses of what is happening in her mind. 

Her living space is her playground. She sees poetry, the offbeat, the staging. The waste, the everyday objects, the fruits and vegetables.

Her painted or constructed universes, sometimes reveal themselves very illuminated or colorful, sometimes darker or intimate. Like the Yin and the Yang, everything is complete.

​

​

The "Kube" concept: an artwork is declined in 5 proposals, or is the center of a 3D setting.  It allows Severine to decline her painting, her work, into several projections, like a kaleidoscope. She refuses uniformity, and claims imperfection as a witness to our humanity.

​

Discretion:​ apart from the scenography, the artist, discreet, only paints 4 to 5 masterful artworks per year, in order to give her paintings a touch of desire. The desire to create, the desire to share, the desire to transmit, but also the desire to own. She voluntarily breaks with the codes of a noisy part of society, where art also becomes a source of saturation.

​

Everything is only way. The one to highlight a place, a wall, a room, a universe, a project, an object... Life.​

​

The painting, the image, is no longer central, but becomes part of a larger picture.